Supported by
Location: The Riverwalk
The ties that bind
Vault of Echoes brings together two visual languages – the concrete brutalism of some of Durham’s landmarks and the intricate geometry of Islamic art. Aaqib’s work explores how these traditions can coexist, creating a space where people can pause and reflect, both literally and metaphorically. Inspired by the bold lines and presence of Kingsgate Bridge and Dunelm House, Vault of Echoes speaks to the invisible threads that connect people to place, past to present, and tradition to innovation. At its core, the piece reflects the artist’s own path, shaped by the meeting of heritage and modern experience.
The infinity effect inside the structure is achieved entirely with mirrors – no screens or projections. The result is a quiet illusion that seems to breathe, even though the sculpture itself remains perfectly still. Aaqib invites the audience to ponder how light, geometry, and reflection can transform space and perception.
“I want people to experience a moment of stillness amid the city’s flow, to see how light, geometry, and reflection can open up new ways of looking at space and culture. I hope viewers leave feeling inspired to notice the subtle beauty in their surroundings and the deeper connections that art can reveal.” – Aaqib
View accessibility information here
Find out more about Aaqib here
Image credit: Glittering Grove, Sound Intervention. Photo by Matthew Andrews